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The Writer's E-Zine

 

Produced and published by the members of Writers' Village University since 1998    ISSN 1521-2639       
20 November 2008
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Craft of Writing

Suzan L. Wiener

Ten Ways To Decide What To Write

Are you having trouble determining where your writing skills lie? Are you a beginner and not sure where your strength is, whether it is poetry, fiction or non-fiction? Why not try your hand in all areas? Soon you will know by the editors' acceptance or rejection if your work is viable and what your strongest suit is. Also, even if you're not the best at one category, you can still write in it and get it accepted as long as you do your best work.

For instance, I tried writing children's poems, but didn't have much success. Yet, as soon as I started writing light verse and love poetry, I did very well. Of course, I keep trying in other areas, hoping for an acceptance, but I concentrate more on what works.

The old saying, "Give them what they want," definitely applies here. If editors keep rejecting your work in one specific writing area, then it's time to try another. You'll easily turn failure into success if you gear your work to what an editor needs.

Read what other authors are writing and see if they have a similar style to what you write. Then you can submit a manuscript to the other you think is your best efforts. The editor will notice and you will get an acceptance.

The more you write, the more you will get to know what you enjoy writing. Even if you just write a few lines a day, keep at it, so you won’t lose the flow and you will feel like you are accomplishing something worthwhile.

Keep a notebook and pen handy so you can write down any ideas that come to you. Then when you are ready to write it out completely, you will have the basic idea already. You won’t have to grope for ideas that aren’t forthcoming.

Never be afraid to venture into different genres of writing. I am not a sci-fi or horror writer, but I have had a few stories in these genres and I enjoyed writing them, though I don’t think I will be doing too many of those.

If you can join a group of writers who write in the same area you do, that will help you gain ideas and it will make writing a lot more interesting and your writing will reflect that.

Buy the various magazines in which you want your work to appear, even back issues are good to check out if you can. The library would have those and see how the type and style of the poetry or stories has changed. You will be well-informed and it will make your writing stand out.

It is much easier to stick to one field of writing, but you won’t mature as a writer if you do that and your writing probably won’t improve. We always have to move forward, even with our writing abilities.

Read as many books on writing genres as you can. You will get the full feeling of writing and know what you are writing about. Knowledge in your area is very important.
If you follow the above tips, you will be able to write in many different genres, from humor to horror and everything in between.


About the Author
Suzan L. Wiener has had numerous articles, stories, poems, greetings for greeting cards, and shorter pieces published in many major publications such as T-Zero: The Writer's Ezine, Mature Living, Complete Woman, Reader's Digest, NEB Publishing, AbsoluteWrite, Saturday Evening Post, etc. She also has chapbooks and e-books up at www.thereadersretreat.com of her rhymed and unrhymed poems.


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Craft of Writing

Ruth Douillette

Who Me? Blog? (Seven Reasons Why You Should, Too.)

Have you ever wanted something that you don't need? Who hasn't?
 
My most recent "want-don't-need" was a blog. I'm not even sure why I wanted one. Just for the fun of it, I guess, just to try something new. Not the best reason to enter the blogosphere.
 
Blogs are supposed to have a purpose, a raison d'etre, ranging from informing readers to sharing life with family and friends to making money.
 
My reason was simple, but weak: I just wanted one.
 
Now that I've blogged for a couple of months, a reason as good as any surfaced in my typical horse after the cart way. A personal reason, but a reason after all: My blog keeps me liking to write.
 
In addition to my day job, I write for a newspaper. That keeps me writing, but not necessarily liking it.
 
Sometimes, in my journalist mode, hastily scribbling who said what at a meeting, my heart pounds, my breathing quickens, and I want to leap from my seat and strangle a local official for his misrepresentation of facts rendered in a sarcastic tone of voice. But that would show bias, which is a journalistic no-no, so I stay seated, hoping my flushed cheeks and clenched jaw don't give my feelings away. I force my eyebrows to remain at their normal level, and stare downward if I must roll my eyes.
 
Then I go home and record the facts and who said them-- along with the lies and who told them-- until I'm sure I'll make deadline. Then I put that on hold, and let the fun begin. I blog.
 
I write about pure feeling, sheer emotion. I ramble. I make asides. I tweak facts to suit me-- just a tiny bit, and not often-- use a sarcastic tone of voice, or a wisdom filled one . . . I can do what I want. I'm my own boss.
 
I never plan what to blog. Planning stilts my voice, a voice that blogging has helped me to uncover. I start with something that strikes me funny, makes me mad, or arouses my curiosity, something inconsequential in the larger scheme of things that begs for expression, and I turn my fingers loose on the keyboard.
 
For me, blogging is kind of like using a Ouija board. Fingers guide, words form, and when that stops, I look to see where I ended up.
 
The best part is clicking "publish" after only a quick, superficial edit. No labor intensive, rewrite, no Thesaurus search. Just my keyboard and me, wild and free.
 
And if you're wondering who would possibly want to read such a blog, you have a point. But I have my few loyal fans, and they're not all family. Just don't tell them the blog is about me, and my staying in love with writing. Any pleasure I might bring to others is pure frosting on my cake. And maybe theirs, if I'm lucky.
 
The truth about blogging:
 
Blogging is fun. There is no deadline except a self imposed one, although if you do happen to attract a reader or two, you need to keep posting at fairly regular and predictable intervals. There are too many exciting things that compete with checking to see if you have updated your blog. Someone initially interested will find pleasure elsewhere if you are a slow poster.
 
Blogging keeps writing skills sharp. Nothing improves a skill like practice. Consider your blog a warm-up exercise. Consider it practice. Write faithfully, no less than weekly, and watch your skills improve.
 
Blogging helps develop voice. Thinks of it as talking, not writing. No need for literary devices, no need to foreshadow and come full circle and create an arc. Just "talk" in your normal voice, let the words come. That's your voice you hear. So simple. So you.
 
Blogging feeds the ego. Who can't use a little ego boost now and then? Install a stat counter on your blog and see who visits. (If your ego is shaky this can backfire, so beware. Installing a stat counter can show that no one has visited.) Within less than two months I had visitors from the east and west hemispheres and north and south as well. So what if some were "web spiders"-- techie scanners seeking key words-- rather than humans. They left a mark on my visitor map. That's cool.
 
Blogging provides instant gratification. Unlike other forms of publication that require queries, submissions, rejections, over and over, a blog is published at the click of the mouse whenever you want. Instantly. Never a remote possibility of rejection. If you later sit up in bed, blushing over something you've written, you can crawl out of bed and delete it, then sleep easy.
 
Blogging can be lucrative. For the serious minded blogger offering information, or something else people seek, a blog can become a source of income. The more visitors you get, the more advertisers will pay to be listed on your blog. Sounds good, but for me that would take away all the fun, and would turn writing once again into serious business.
 
For now, I'll blog for fun, and hope that others might find some pleasure there as well.


About the Author
Ruth Douillette is a middle-school teacher in Massachusetts where she has encouraged young writers for over thirty-three years. She writes profiles, features, and news for a local paper, and appears as a regular guest on "Around the Table," a local cable talk show. Her work has been published in the Christian Science Monitor, flashquake, and "Under Our Skin," an anthology about breast cancer. Blogging is a new venture. Ruth's blog, Up Stream and Down, can be found at: http://upstreamanddown.blogspot.com


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Birdie's Quill

Birdie

Sculpting With Words

Writers and authors of creative fiction and non-fiction sculpt images with words. Learning how to choose the right word can be compared to a sculptor and his tools. Little by little the masterpiece takes form. A blend of active, specific words propels the story forward and creates an image within the reader’s imagination.

In today’s market, writing creative fiction and non-fiction effectively requires writers to show rather than tell the story. It takes practice to write in an active voice. In the process, we learn not only to identify but to avoid passive verbs, adverbs that modify or explain the verb, vague words, words giving unnecessary direction and redundant words.

How to Recognize Passive Verbs

I’ve talked about passive words in past articles, and writers always tell me how helpful it is for them. Just like any other part of writing, it takes practice to not only see passive verbs but also to learn how to eliminate them. Watch for verbs like is, am, are, was, were, and all verbs including the words be, being or been. Passive verbs are often made up of two words like the example below. You won't eliminate every passive verb; but learning to identify them is the first step in learning to write without them.

Example:

He was walking happily.

Was walking tells the reader what occurs, but making a simple change such as He walked, eliminates the passive was and shows he walked. Choosing an even more specific verb creates a stronger image. Consider the difference: He hobbled, or he shuffled show how he walked; the more specific the verb, the clearer the image.

Adverbs

Adverbs often tell when, where, why, or under what conditions something occurs. Adverbs frequently end in ly. However not every adverb ends in ly. If you look at the above example, the word happily tells how the character walked. Instead, something like: He walked with a bounce in his step shows his mood. Other words and phrases can also serve an adverbial function. Adverbs modify. When they modify the verb, it’s best to search for a more specific verb to do the job.

Another pitfall regularly visited by newer writers is the use of adverbs in speech tags to explain the tone of the dialog.

Example:

“I won’t do it,” she said angrily.

The adverb angrily modifies the verb said. It explains how the character said it. Instead, create strong dialog that says what it means. Character body language is one tool you can use to help convey the action.

Example:

“I won’t do it.” She turned and stomped from the room.

Such beats show the anger rather than explain that the character is angry.

Unnecessary Directions a Form of Redundancy

A form of redundancy often overlooked by writers includes unnecessary directions. Up, down, back, below and similar words commonly create redundancy. If a writer has made a direction clear, the use of these words offers redundant information.

Example:

He stashed the book back under the chair again.

If the writer shows the removal of the book and the return of the book to its hiding place beneath the chair, words like back and again offer redundant information. He stashed the book under the chair shows all the reader needs to know. Direction is clear.

Another common redundant use includes words like up and down.

Example:

He sat down on the sofa.

If the writer shows the character standing and then sitting, He sat on the sofa is sufficient. Carefully chosen words sculpt a clear image in the reader’s mind.

Vague Words

Search for non-specific words like very, really, good, alot/a lot, still, and the similarly vague words: some, all, most, many, more, enough, several, fewest, fewer, few, etc. None of these word choices add to the image you’ve worked so hard to create in the reader’s imagination. Find a specific word to replace vague words or eliminate them. If you question whether a word is vague, ask yourself what you see. If many characters surround your protagonist it’s unclear what he’s up against. On the other hand, if you say a half dozen burly men surround your protagonist, the threat is clear. Replace vague with tangible image-inducing words.

Catching Redundant Words and Phrases

Redundancy is one flaw that’s easy to miss. We work so hard to get rid of passive verbs and vague words that we overlook the fact that we’ve started three sentences in a row with the word “She” or used the same word three or four times in one paragraph.

Redundant phrases are another thing to watch for. One manuscript that I edited awhile back had a character whose cheeks burned, and flushed throughout the story. Others that I see regularly are, lumps in throats, biting lower lips and such little habits that everyday people use. However, they must be sprinkled naturally throughout the manuscript. Overuse constitutes redundancy.

Read Out Loud

Once you’ve combed through your manuscript looking for the things pointed out in this column and corrected them, let your story rest for a few days. After it has set for a couple days or more, read it out loud. With a red pen, mark anything that stands out. If the words cause you to stumble—mark it. If a passive verb jumps out at you—circle it. After you’ve finished, go back and make your final changes.


About the Author
Author and freelance writer, Donna Sundblad, resides in Georgia with her husband, Rick. Together, they are working on a budgeting book that will be out in electronic format by early 2007. Donna serves as the Fantasy Topic Editor at Inspired Author, and her books, Pumping Your Muse and Windwalker are available in paper or ebook formats at epress-online.com. Check her website for more information at www.theinkslinger.net.


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Recognitions

Vivian Reed and Janet Vincent

Welcome to Recognitions, where the writing successes of Writers’ Village University members are celebrated.

This month’s roster of writers demonstrates the key role of study groups for many of us at WVU. Pamela Ridley and Lisa Finch are the third and fourth members of Timeless Tales to be published this year. Sylvia Dickey Smith and Kathy Kubik of Persist & Publish credit their study group for their achievements. Donna Sundblad, Lisa and I all had stories accepted in the same anthology thanks to sharing news and feedback at the Non-Fiction Group. Janet Vincent, another member of that group, agreed to write my profile for this column.

Two announcements came my way since the April issue. Jim Hall wrote to let me know that the Dana Literary Quarterly is folding. One of his stories appears in the last issue. Also, Persist & Publish was recommended in the new book Your First Novel (by Ann Rittenburg and Laura Whitcomb) as an excellent and frequently updated resource. Now, let’s recognize the achievements of some hard-working writers here at WVU.


Pamela Ridley
Both of Pamela Ridley’s novels, Between Tears and Lies Too Long (to be released this month by Genesis Press), were critiqued through her WVU study groups, Hemingway Hall and Timeless Tales, and in the Mystery Completer class that WVU member Charity Tahmaseb facilitates. “The magic of WVU,” she says, “is that whatever a member is personally learning about and addressing in her own writing is what she shares through her critiques of my work. Through her feedback, my learning is enhanced and my writing skills are improved.”

Her novels can be ordered at bookstores or through Amazon.com, and Pam (as she’s known at WVU) maintains her own website. She pauses before describing the genre of her work, “I want to write romantic suspense, but I’ve been told my version of romance doesn’t reflect the market’s definition of romance, so I guess I write suspense with romantic elements.”

Pam found inspiration for her latest novel, Lies Too Long, in a newspaper article citing homicide as a leading cause of death among new and expectant mothers, particularly black women and those under 20. Her protagonist is a 40-year-old African American woman who gets pregnant after an impulsive affair. During the course of the story, she must fight to protect herself and the life of her unborn twins. “Sequel?” Pam asks. “None is planned, but I could see revisiting those characters and catching up with their lives at some point.”

Having completed two other manuscripts, Pam’s working on a third. “Sometimes, when a short story publishing opportunity pops up, I jump on it,” she adds. She also enjoys writing poetry, not for publication but to practice the more concise and emotionally rich wording of that art form.

During her childhood in St. Louis, Missouri, Pam had severe asthma. She links her first interest in writing to her curiosity about all the files of sick people in the doctor’s office where she made frequent visits. “Each person has a name and a family and their own story, and I wondered who they were and how life was working out for them,” she recalls.

Now, Pam lives in Maryland, a teacher and the mother of two sons in college. She enjoys watching movies and reading novels. “I read a variety of authors and many have a particular craft skill I envy, but I can’t say I have a favorite,” she says. “I like Stephen King. I think he’s the master of suspense although some of his books go on too long for me.”

Recently, Pam has found inspiration in the people she meets. “In the past, it was pretty easy for me to glom onto my computer and isolate while I dove headlong into the world of my characters,” she says. “More frequently now, simply talking to people and listening to their life’s experiences is great fodder.”

She does not advise imitating whatever trend is popular in fiction at the moment. “I’ve learned that you can write what you want to write (or in my case, what I would like to read) and disregard the marketplace,” she says, “only if you seriously don’t care if you are ever published. If you’re in no particular hurry to be overwhelmingly well-received, you can wait until the market shifts to where your sensibilities lie.”

The range of emotions she felt after her book was published summarizes the ups and downs of a writer’s life. “It made me feel validated for a few minutes,” she says. “Then I felt nervous about the marketing commitment required. Then I felt elated with my friends’ and coworkers’ reactions and support. I had a down moment when I got a couple of not-so-great reviews, but that can happen, and I recovered.”


Sylvia Dickey Smith
“I literally would not be where I am today if not for my study group, Persist & Publish,” says Sylvia Dickey Smith. Her novel Dance on His Grave will be released this month from L & L Dreamspell. She also has a story online in the Special Flash Fiction 2007 Issue of Apollo’s Lyre and one coming out in the anthology The Story That Must Be Told: True Tales of Transformation, to be published by Loving Healing Press in June. Sylvia keeps a calendar on her website, featuring signings and other promotional events

“WVU offers such a wealth of resources, both to new writers and to those who have years of writing under their belts,” Sylvia, or Syl as she’s known around WVU, continues. “Persist & Publish has been with me all the way through this journey. They reminded me to keep plowing through the discouraging times and held my nose to the grindstone when I faltered.” The study group offers weekly writing prompts and exercises as well as sharing critiques and advice. “Anytime I feel stumped,” Syl says, “I can go to P & P for resources or to post a question on the board.”

One year, five members of Persist & Publish met at San Diego State University’s writer’s conference. “When we met, it was like visiting old friends,” Syl recalls. “We bunked together, shared what we learned at the different breakout sessions, and came home rejuvenated.”

Syl includes her maiden name in her byline. “I’m sad to say I lost touch with that part of me for many years. I never want to do that again, so I keep that name in mine as a reminder of who I am, what I stand for and what I won’t stand for.” She grew up in Orange, Texas, a small town on the Louisiana border. She remembers trying to be a perfect middle child and at the same time feeling a void inside. “I’ve recently discovered that I had a vanishing twin,” she says, “a twin miscarried early in my mother’s pregnancy. Learning this has helped me understand why I felt the way I did the first half of my life.”

Now living in Round Rock, Texas with her husband, a retired colonel, Syl shares the responsibility of caring for her ailing mother with her sister. “I have four grown children and a step-daughter and fifteen grandchildren,” she says. “I have family get-togethers where we all hang out in the kitchen either cooking or cleaning.”

After finishing college and graduate school in her forties, Syl worked for many years in the human services field. She enjoys reading, especially Barbara Kingsolver, Nevada Barr, Dean Koontz, and her newest find, Dorien Grey. She also gardens and explores the swamps and rivers in the area in search of archaeological remains.

“When I retired at 62, I kept saying, ‘I want to write a book,’” Syl recalls. “”One day my friend said, ‘Sylvia, you keep talking about it. Go sit your butt in the chair and do it.’ I did.” She wakes up at 5:00 in the morning and goes to her writing room to work until about 9:00. After a break, she works on rewriting until lunch, and in the afternoon, she focuses on marketing and sales. “I’m one of those people who keep a lot of balls up in the air at the same time,” she says.

Syl already has a series planned featuring the protagonist of Dance on His Grave. Sidra (Sid) Smart is a recently divorced preacher’s wife trying to find her way. “The main character came from my own years spent in a conservative religion,” Syl says, “that placed its creeds above what I knew to be true, deep within myself.”

In the first book, Sid inherits a detective agency specializing in intuitive investigations. As she’s drawn into a case involving horrific memories of two sisters, she unleashes a chain of tragic events and puts her own life in jeopardy. The second book, tentatively titled “What the Eye Sees” and slated for release at the end of the year, Sid tries to clear a dead man from a double murder charge and gets entangled with a preacher and his missing wife.

When asked how she feels about completing a novel, Syl says, “Oh, that’s easy, one word: FANTASTIC!” The joy her family and friends have shown about Syl achieving published author status is gratifying for her, but she admits she felt numb when the publisher first offered her the contract. “I figured I’d wake up, or they would, and the offer would poof into whistle dust (whatever that is). But the next morning when I checked my e-mail, sure enough there was no message from them recalling the contract.”

Besides the “Third Eye” series, Syl also has a draft of a historical novel that takes place in the shipyards around Orange in World War II. “They made a major contribution to the war effort by building destroyers and destroyer escorts for the U.S. Navy,” Syl says. She’s also editing a book on the Ishak-Atakpa Indians who lived along the coast of Texas and has plans for a series on sunken ships of the Sabine and Neches Rivers.

As productive as she is, Syl says her inner critic is alive and well. “I keep rewriting, rereading and killing my darlings,” she explains. “Now I’ve learned to cut and paste those pretty things into a new document and save them for later.” She’s completed NaNoWriMo and learned how to get the first draft down fast without getting bogged down with corrections. She uses the free download “ReadPlease” to hear her words read out loud. “That way I can hear how the words I’ve strung together sound, and how the sentences flow, read in the voice of another.”

To new writers, Syl urges, “Dig in your heels and keep going. Don’t let anyone keep you from your writing goals.” She recommends being flexible and carving out small periods of time from family and work responsibilities. For submissions, Syl relies on “dogged determination” and queries agents and publishers by e-mail because “I figure if they are not in the twenty-first century, they are not the ones for me.” She feels writers should be aware of all the options available and try all approaches to achieve their writing goals.

Syl admits getting discouraged by rejections, saying, “Sometimes, I stopped for a day or two to lick my wounds, but I forced myself right back into the game and sent out more queries.” She concludes, “In the midst of rejections, remember WHY you write. If it is to be published, choose another line of work. If it is because you must write to breathe, then keep going.”


Kathy Kubik
“I am a mother, a wife, an employee, a sister and a daughter. All of these things make me who I am, but I need to honor that writer part of me, too,” says Kathy Kubik of her dedication to writing every day.

Kathy is a poet and a co-facilitator of the Persist and Publish study group at WVU. She maintains her own website and a page on AuthorsDen, and her poems have appeared in dozens of print and online magazines. Her fourth poetry chapbook, Universal, published by Moon Journal Press, is available online and directly from the author. You can e-mail Kathy at  Kathy_Kubik@hotmail.com for more information.

“With Universal, I felt it was my strongest book yet, and I was very proud of it,” Kathy recalls. Her three previous books were self-published, so she selected a few noteworthy presses, not knowing how long the submission process might take. “I sent it out, not expecting that Moon Journal Press, my first choice, would accept the book,” Kathy says. “It was even more special because my husband Jim had created the cover art for the book.” Along with their nine-month-old daughter Lucy, they celebrated together with a nice glass of champagne, popcorn and a movie.

“It is about patterns,” Kathy says of her chapbook, Universal, “those connected and disconnected like a broken circuit wire. It poses the question: Why are we here, and what are we to make of this mass of bone and matter? Of the spaces between our paths, and those that intersect, sometimes haltingly. It includes poems that travel through space and time and those places we’ve never visited and those we wish we had. It spans light years and those minutes that tick by slowly. It lays out the sheet that is the sky with the many holes that make up the stars.” Artwork and music inspire Kathy in her writing.

When she first joined WVU, Kathy took many poetry classes. “They really helped me,” she says. “I can’t say enough about the classes and facilitators at WVU.” She shares facilitating responsibilities at the Persist and Publish study group. “I came into the group with only my poetry background and now have drafted two novels,” Kathy says. “This group is very inspirational, and I have learned so much about writing a novel from the writers here.” Kathy has written short stories as well as her poems and novels.

As a second-grader, Kathy remembers writing plays, and starting in sixth grade, she wrote enough poems on themes like the seasons and family life to fill a chapbook each year. Her eighth grade writing teacher encouraged her to submit a short story she’d infused with her poetry to the Young Authors Contest. “My story was picked among hundreds of finalists, and I got to travel to the University of Illinois in Champaign for the ceremony,” Kathy says. “It was thrilling. I never thought other people would be entertained by my writing until then. That was when I knew I wanted to be a writer.

“But the important thing I want to note is that I always was a writer,” she continues. “Being a writer does not happen when a story or poem gets published and then you are magically a writer. Being a writer means that you write. It’s as simple as that. So I was a writer when I was putting together poetry books and plays when I was in grade school.”

Besides caring for her young daughter, Kathy works as a proposal writer for a Fortune 200 company. “My advice to anyone trying to balance work, family and a writing career is that it is possible,” she says. “Many people will tell you it’s not, and you might feel you need to wait until your children grow up until you pick up that pen again.” Kathy believes parents have special insights that need to be expressed while their children are still at home. She also feels that her pursuit of a writing career will be a good role model for her daughter. “I want her to believe that you should always follow your dreams, whatever they may be,” Kathy says. “I can’t teach that message unless I am doing the same thing myself.”

Kathy’s ideal writing day involves getting up early and writing for hours, getting lost in her own words. “The truth is I have a day job and I tend to run late in the morning,” she admits. “I have to steal time when I can.” She wrote an entire draft of a novel in three weeks during her lunches and breaks at work. She also sets aside an hour for writing after her daughter has fallen asleep at night. “An ideal writing day is when I sit down and write,” Kathy says, “no matter what.”

Writing prompts help Kathy when she’s stuck in a project. “When I’m not sure where to go next, a prompt can help unblock the way,” she says. “A great book is The Writer’s Book of Days by Judy Reeves. It has a prompt each day and also writing advice along the way.” Timed writings helped Kathy finish her NaNoWriMo novel draft. She recommends, “Just set a timer for 5, 10 or 15 minutes and don’t stop writing until the buzzer goes off. You’ll surprise yourself by what comes out.

“Trust your writing as something that comes as naturally as breathing,” Kathy continues. “Set aside that hour at night just as you would to brush your teeth or wash your face. Writing is a part of who you are. Honor that.”

Getting poems published can be particularly frustrating. “I think the poetry market today can sometimes seem difficult to break into,” she says. “There are so many contests, and to me it sometimes seems as if you need an MFA just to be considered for grants and awards.”

She finds that reading literary magazines helps her work in two ways. Discovering talented new poets inspires her, and finding a journal that publishes pieces similar to hers opens up a new possible market for her writing. “If you have a dream publication, as I have several, keep submitting,” Kathy says. “Your writing will naturally get better and better, and if you read the publication you are interested in, you will eventually break through. It takes people many times before they are accepted.”

Kathy warns against concentrating only on getting published and gaining recognition, however. “Your work doesn’t need to be in print to be worthy,” she says. “Write what is inside you. Get it all out, and then the publishing will naturally follow because you have something unique to share with the world.”


Donna Sundblad
“Joy shared is multiplied,” Donna Sundblad says of her experience after she and two other Non-Fiction Group members learned their stories were accepted for the same anthology. This generous attitude infuses her burgeoning writing career. Most people around WVU know Donna as Birdie and look for her column, “Birdie’s Quill,” each month in T-Zero.

Besides the column and her own website, The Inkslinger, Donna maintains several blogs, works as the fantasy topic editor at Inspired Author and contributes regularly to LoveToKnow. Two of her books are available in print and as e-books. Her novel, Windwalker, combines adventure and romance in a detailed fantasy world while Pumping Your Muse offers creative writing exercises. Donna’s short story “Caleb Sees the Light” appears in Light at the Edge of Darkness, an anthology of Christian speculative fiction published in April.

When she found out her essay “The World of the Pencil” would be published in The Serenity Prayer Project collection, Donna says she was thrilled. Adding, “The thing that makes the publication even sweeter is that I had posted the guidelines for this anthology in the Non-Fiction Group and two of my friends from there also submitted.”

After she learned that all of the stories were accepted, Donna says, “I probably walked around with a smile on my face for the next two days.” Five of her stories have been accepted for publication in anthologies. “As for celebrating,” she says, “I worked on another story for another anthology. We’ll see what happens.”

“World of the Pencil” originated as the first assignment for a WVU workshop called Hero’s Journey for Parents. “This story about my son’s struggles while growing up with learning disabilities and my own mental anguish as I tried to figure out what was best for him holds a special place in my heart,” Donna says.

Over the years, she’s participated in several WVU classes and study groups. Currently, she belongs to Middle Earth and the Non-Fiction Group and facilitates The Finish Line. “They each serve a purpose in my life as a writer,” Donna says. “The Finish Line helps me focus on what needs to be done and backs me up with accountability. Middle Earth is where I’m currently working on my next fantasy novel.” She posts creative non-fiction and articles at the Non-Fiction Group and has had several pieces published after taking advantage of peer feedback in that group.

“I’ve enjoyed writing as long as I can remember,” Donna says and recalls being chosen to write for her yearbook in the eighth grade in northern Illinois, where she lived for the first 38 years of her life. As an adult, she wrote poetry and a fan fiction novel. “I didn’t really take it seriously until I approached my fiftieth birthday,” she recalls. “I asked myself what I was waiting for. I started setting goals and gradually improved my craft, submitting and getting published.”

Last June, Donna took the step to become a full-time freelance writer and author and moved to a rural setting in northwest Georgia. For twelve years previous to that, she’d worked as a rental agent on an island off the southwest coast of Florida. “What a change for me,” she says, “It’s beautiful here. Right now, all the trees are blooming and I have my garden in.”

Donna describes her ideal writing day as “completing what I have to do and still having time to write something new.” To beginning writers, she says, “Don’t just think about it. Do it. Set a time limit or word count limit and aim toward it. Make it a habit.”

When asked to talk about her latest work, Donna admits, “That’s a hard question because I’m a project juggler. This week I’ve submitted two short stories and five nonfiction articles.” She’s completed the first draft of her next novel, “Beyond the Fifth Gate.” The story evolved from following the flip side exercises in Donna’s creative writing book, Pumping Your Muse. “I’m hoping to have the manuscript ready to submit by the end of the year,” she says. “At this point, I don’t think there’ll be a sequel, but you never know.”


Lisa Finch
After Lisa Finch learned her essay was accepted for the Serenity Prayer Project anthology, the first people to get the news were her children: Hailey (11), Matthew (10) and Ben (8). Her younger son predicted, “Mom, you’re going to be famous!” Later, her husband came home with chocolates for her, saying, “How’s my author?”

Lisa recalls receiving the news early in the morning before her children were awake. “At first I couldn’t bring myself to open the e-mail, for fear it was bad news. But, of course, I had to know, so I cringed as I opened it and hoped for the best. I think I stopped breathing for a few moments there when I saw my name on the list.” On top of the cards and congratulatory e-mails she’s received from friends, Lisa considers this interview part of the celebration.

After spending her childhood in the east end of Hamilton, Ontario, Lisa now lives in Forest, Ontario with her family. Her husband Chris works as a locomotive engineer. He’s on call 24/7, making his schedule unpredictable, but his income allows Lisa time to write and stay home with their children. “We have a busy household,” she says. An ideal writing day for her would be “no scheduled appointments, no phone calls, no interruptions. Just me, my computer, and my muse.”

Two of Lisa’s children have special needs. “Being an advocate for them is quite time-consuming but very rewarding,” she says. An article called "Fighting for Matthew's Future" about her son, who has autism, appeared in the Spring 2006 edition of McMaster Times. The essay to be published in the Serenity Prayer anthology describes the extra effort and unique rewards of caring for a child with special needs.

Lisa has also been working on a novel about a woman who loses the love of her life due to circumstances beyond her control. Inspired by actual events, the story focuses on her dilemma when she meets her love again fifteen years later and realizes their break-up was caused by a misunderstanding (a letter never received). “I wanted to write a story that answered the ‘what if’ question,” Lisa explains. She hopes to publish the novel under her maiden name, Walpole.

The study groups at WVU have helped Lisa with her fiction and non-fiction work. She posts her fiction at Hemingway Hall, her romantic fiction at Timeless Tales, and her essays at the Non-Fiction Group. “I’m in three groups and they’re all amazing,” she says. “I have learned so much from these incredibly talented writers. They are all so generous with their knowledge, from the business end to the craft itself, and also with their support and encouragement.

“I always thought my home was fiction, but over the last few years I’ve realized that I have something to say in the non-fiction genre,” Lisa continues. All of her published work so far is non-fiction. “I’m still working on breaking into the fiction market, just haven’t gotten there yet,” she says.

At eight years old, Lisa had already decided to become a writer. “When other kids were drawing pictures, I was writing stories,” she says. “I never really wanted to be anything else since then.” Her favorite authors include Stephen King, Barbara Kingsolver, Carol Shields, Amy Tan and Gail Anderson-Dargatz.

“Read as much as you can and as often as you can,” Lisa advises. “Learn from other writers and write every day.” She writes in the mornings when she feels she’s at her best. “I need quiet,” she says, “so that’s generally when the kids are at school.”

Lisa believes the inner critic serves a purpose. “The problem is knowing when to listen and when to ignore it,” she says. “I guess like most things, it’s a balancing act.” She suggests following the editor’s guidelines as closely as possible and treating each submission as unique. She says, “I try to submit often because it stands to reason, the more you submit, the greater your chances of being published.”

Note: To give a better perspective on me and my writing experience, Janet Vincent graciously agreed to write the following profile.


Vivian Reed (by Janet Vincent)
“I thought, 'Did I read this wrong?' So I read it over 3 or 4 times just to be sure.”

Vivian Reed’s reaction to the e-mail acceptance from Serenity Prayer Project was the first of a series of writing accomplishments in a week. On the heels of that e-mail, the first Recognitions column with her byline was published online and two articles for an insurance company newsletter were published.

In the beginning, Vivian wrote poems under different pseudonyms, but didn’t take her writing seriously. She now faces the “awkward situation of not mentioning the poems or explaining that I was a bubblehead who couldn’t even decide what name she wanted to be called!” She laughed, “Use pseudonyms sparingly!”

Her serious start in the writing world came with the F2K class of January 2006. The online format suited her schedule and she “could connect with other beginning writers…Week by week, we practiced different story techniques and gave feedback and support.” She joined Writers’ Village when the class ended. “It’s mind-boggling to think I’m interacting with writers of all levels of experience and ability from ALL OVER THE WORLD.”

Vivian is a member of The Finish Line study group where members share weekly, monthly and annual goals. Membership has grown under the leadership of the facilitator, Donna Sundblad (aka Birdie); her inspiring advice and examples attract writers of all levels. “For anyone frustrated or discouraged about their writing, I highly recommend this friendly and diverse group. The tireless encouragement the people there offer will definitely get you back on track.”

Credit for acceptance of her essay for the Serenity Prayer Project is due to the “energizing, non-competitive atmosphere” at the Non-Fiction Group. Donna, also a member of NFG, posted the call for submissions and her essay for the Project. After Vivian and Lisa posted their stories, members critiqued all their works before they submitted to the Project. “It’s very exciting to work on the same project with other writers, just another one of the unique advantages of belonging to WVU. When the news came that we’d all been accepted, there were lots of messages at the study group with lots of exclamation points.”

Vivian also works with the wonderful writers at Timeless Tales, most of whom are published and share advice. “They’re all romantics at heart and very nurturing to beginners.” She plans to post in that group after she completes a few more fiction classes.

In her challenging position with a Southern California corporation, Vivian manages people who expect to be downsized any day. During a particularly stressful time, she noticed the Serenity Prayer on a co-worker’s desk. Reading that prayer was instrumental in her decision to join a church and become a part-time employee. “I’d never put the experience into words, so I jumped at the opportunity.” Now, she has time to camp and hike with her husband and sons, read, and go to the movies.

Some of her favorite authors are Hans Christian Anderson, Louisa May Alcott, and Robert Louis Stevenson. Their books were her childhood “reliable companions and important people” of whom she “dreamed of growing up and being like.” After third grade, she wrote “eight or nine stories in a hardbound book with blank pages. I’d give a lot to see that notebook now!”

Vivian’s last three publications came from people she knows: a church friend and Donna Sundblad. “Look for writing opportunities close to home,” she says.” Maybe your writers’ group newsletter editor needs material or a small business needs promotional copy. Stranger things have happened.” To friends, writers, readers, and WVU staff, she adds, “THANKS A MILLION!”

Congratulations, Pam, Sylvia, Kathy, Donna and Lisa, and special thanks to Janet Vincent for her contribution. Your successes renew all of our writing aspirations. Many more writers at WVU have achieved writing success recently and will be featured in upcoming columns. Please contact me at recognitions@wvu.org about your acceptances, publications, e-launches or awards so your achievements will also be included. Be sure to use “T-Zero Recognitions” as part of the subject line.


About the Authors
Vivian Reed lives and writes in Long Beach, California. With the patient support of her husband and two sons, she is currently “transitioning” into a full-time writing career. Several of her poems have appeared in literary magazines, and before she became a mother, two of her plays were produced in the Los Angeles area. She is proud to write the Recognitions column for T-Zero: the Writers' E-zine.

Janet Vincent has been a member of WVU since November 2003 and North Florida Writers since July 2005. She travels with her hubby in their RV, seeking material for travel, human interest, and inspirational articles. Her commercial copywriting efforts provide business services for clients. She hosts an interviews column, Press Conference, for Eloquent Stories.



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Fiction Short Story The Writers' Ezine - T-Zero Xpandizine

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Fiction Short Story

by Rhonda Parrish

Big Bear

Dust covered the leather tack that hung on the walls and the air was thick with smoke. Loud country music blared from the old jukebox, and the handful of patrons raised their voices to be heard over it. They were all men, all but the waitress, Kelly, who weaved her way through the maze of tables and bodies with practiced ease, a tray full of beer bottles balanced on one hand and a perpetual smile on her lips.

Suddenly, the door slammed open, bouncing against the wall, and every head pivoted to see why. A native man stood in the doorway; bits of his short hair stuck out in every direction, his arms red with blood all the way up to his elbows. With eyes wide with alcohol-fuelled fear, he looked around from one pale face to another.

"Help! Liz got bit by a bear!"

"Bit by a bear?" One old farmer shook his head. "This is rural Alberta, Amos, we ain't got no bears. Cougars sometimes, but no bears."

"She got bit by a bear!" He used his hands to emphasize the word big, then continued, "A big bear! Call an ambulance."

"It'll take an ambulance at least an hour to get here—you’d be better off putting her in your car and driving her there yourself."

"But she'll bleed all over!"

Kelly sighed, well used to the logic of the inebriated, but annoyed just the same. She set down her tray and pointed to the telephone. "Call the ambulance; I'll go see what I can do."

Snatching the first aid kit from under the bar, she raced out the door. Outside, a dozen people crowded around a woman as she lay on the ground beside the bed of a pick-up truck. As the crowd saw Kelly they surged forward and she smelled the strong scent of beer as they neared her—each of them eager to tell their story. Irritably, Kelly pushed them out of the way with assurances that she'd listen later and finally reached the injured woman.

The odour of beer was stronger here, and shards of clear glass littered the ground around Liz, while a puddle of blood grew steadily beneath her foot. The sole of her foot sported a very deep jagged cut and an exceptionally large and bloodied chunk of glass stood nearby. The alcohol in Liz' blood had thinned it, making her bleed even more than normal; it also numbed her pain, making her unaware of the seriousness of her injury.

As Kelly worked to stop the bleeding she looked up at where Liz’ friends and family milled about talking excitedly and laughing about the big bear.

"You know, you could have taken her to the hospital or done first aid instead of making up stories about a bear." She snapped.

Some of the crowd had the grace to look ashamed for a moment, but Liz Snorted with laughter. "I did get bit by a bear."

Kelly, still applying pressure to the gaping hole in Liz’ foot, looked up at her in disbelief. "Liz, you've quite obviously just stepped on a piece of broken glass."

"Nope," the older woman shook her head, her black eyes dancing with mirth. "I dropped my beer when I was jumping out of the truck, then, when I landed, the big bear bit me."

Kelly ground her teeth together and, fed up with drunken foolishness, was just about to spit out an angry reply when she saw it. Lying in the broken glass was a beer label. In the light from the neon bar sign she could clearly read the words "Big Bear Beer."


About the Author
Rhonda Parrish grew up in rural Alberta but eventually moved to the “bustling metropolis” that is Edmonton, Alberta where she lives with her husband and daughter. Her work has been featured in a half dozen publications with more on the way. You can find out more about her at her website.


T-Zero: The Writer's Ezine
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Copyright 1998 - 2007, Writopia Inc. All Rights Reserved

Fiction Short Story The Writers' Ezine - T-Zero Xpandizine

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Writers' Village University Membership Information

Fiction Short Story

by Jennifer Brinn

The Speed Trap

Tires screeched, subwoofers thumped, and windows rattled on the otherwise quiet suburban street. Two broad-shouldered cars, outlined in neon and chrome, raced well past the speed limit. Blue-white beams slashed through gaps in curtains as the cars followed one another in tight donuts at the end of the road. Engines roared as the racers launched back up the street. The second car fishtailed through the rose bushes at the end of the driveway of a little blue house.

Henrietta heaved herself off her couch as she heard the bang-bump outside her living room. By the time she reached the window, however, the cars were gone.

"That does it!" Henrietta clutched the silver pentacle hanging from her neck, the semi-precious stones at each point cut into her hand. She stomped over to the ornate oak bookcase that had sagging shelves full of tarot decks, bags of Norse runes, extra candles, and books. She rifled through the titles, knocking several from the shelves onto her feet. "I just planted those bushes last month. Frank, these kids and their speeding has become quite the nuisance."

Her husband looked up from his newspaper. "Are you calling the police this time or should I?"

"What good will that do? The cars are long gone! No, this time I'm going to do something that will get real results."

"What are you going to do now?" He put down his paper as Henrietta pulled out a worn leather-bound book. "You think lighting candles and waving smelly stuff around is going to help? Or are you onto crystals this week?"

Henrietta sniffed. "You have never appreciated my powers."

At midnight, dressed in her flannel bathrobe, Henrietta tiptoed out her front door. She drew a line across the street with sea salt, waved her sage stick, and pointed her athame in all directions. The speed limit was twenty-five; anyone driving faster would be sorry.

She woke early and bounded outside. She straightened her mailbox post, dug out the destroyed bush, and planted its replacement. She unrolled the garden hose and sprinkler as a dandelion-yellow SUV raced down the street. It hit her spell and a tire blew. The vehicle swerved out of control and smashed into her new rose bush. The mailbox bounced off the hood as the SUV skidded to a stop. A harried young woman clutching a cell phone bounded from the vehicle. She flipped the phone shut and gasped at the crash site.

Henrietta hurried over. "Are you all right?"

"I'm going to be late picking up my son from soccer practice. Damn boss wouldn't let me out on time." She scrambled in the back of the truck and pulled out a tire iron and jack. "These were new tires too!"

"Oh dear! Please, let me help you," Henrietta said. They wrestled the spare tire out. "Hey, you wouldn't happen to know any of those kids who go speeding around here at night?"

"You've seen them too? Nearly hit me as I was backing out last week on our way to scouts."

Henrietta felt less bad now. These kids weren't only driving her crazy. Once the soccer mom was on her way, Henrietta dispelled the charm and returned to her books. She replanted roses and ground herbs. Her husband laughed when she told him what had happened.

"Can we at least talk to the neighborhood watch this time?"

"No, we can't. What are they going to do, send out a newsletter? I have a better plan."

The next day, as Henrietta weeded and watered her begonias, she heard a child cry out and a crash full of snapping twigs. She hoped it was only twigs. She ran to the front. A boy, about twelve years old, thrashed and trampled his way out of the rose bush, trampling what was left of it. His helmet sat askew on his head, and his bike lay undamaged in the gutter. Henrietta patched his cuts and scratches, gave him chocolate cookies, and asked him if he knew the kids who sped around at night. He shook his head and winced.

When her husband arrived home from work, she was replanting the rose bushes. He opened his mouth but Henrietta glared at him. He sighed and commented on how expensive disposable rose bushes were.

Henrietta passed the night working on her next spell. She flinched every time a car zoomed by. "This spell will be perfect. Just enough to slow those silly cars."

She crept out at dawn and laid crystals at appropriate points to create a lopsided circle around her section of the street. "We'll see them speed through that!" She headed inside and kissed her husband off to work.

#


Angry voices echoed in her front window. One car, its rear bumper on the ground, sat on top of her rose bush and mailbox. Another showered her lawn with radiator fluid. She'd never seen her grass appear so bright.

Two neighbors argued over whose fault it was. She asked them about the midnight speeders, but they were too angry to discuss it. When her husband came home, she admitted she'd failed.

"I'm done. No more magic. It never helps." She shoved her books in a box. Her husband gave her a hug and a pint of ice cream.

He returned home late the next day. She set his cold dinner on the table and frowned.

"I have good news, Henrietta. The soccer mom talked to the parents of the boy who crashed his bike. They also talked to other folks down the street. The homeowner's association convened an emergency meeting and discovered the speeders' identities. There's talk of speed bumps."

"I told you my magic could get results!"

"One last thing. There's also new rules about where you can plant your rose bushes…"


T-Zero: The Writer's Ezine
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Copyright 1998 - 2007, Writopia Inc. All Rights Reserved

Poetics Presents The Writers' Ezine - T-Zero Xpandizine

The Writer's E-Zine Home

Writers' Village University - F2K: Free Fiction Writing Course - ePress-online
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Poetics Presents

Pat Tompkins

Pat Tompkins is an editor in the San Francisco Bay area. Her poems have appeared most recently in flashquake, Astropoetica, red lights, and the Aurorean.

Kitchen Massacre

She guillotines tender young okra,
chops onions and cooks them until they wilt,
heats tomatoes, the better to skin them.

She plunges ears of corn into boiling water,
cores a head of pale green cabbage,
all for a simple summer dinner.

She's a vegetarian, the ethical
non-violent kind.


At the Supermarket

I need to pick up
bread
relish
milk of human kindness.

I'm almost out of
patience
moral fiber
old-fashioned gumption.

I'll buy two-for-one
duck soup
just desserts
canned laughter.

Copyright ©2007 by Pat Tompkins




T-Zero: The Writer's Ezine
http://TheWritersEzine.com

Copyright 1998 - 2007, Writopia Inc. All Rights Reserved

Poetics Presents The Writers' Ezine - T-Zero Xpandizine

The Writer's E-Zine Home

Writers' Village University - F2K: Free Fiction Writing Course - ePress-online
Writers' Village University Membership Information

Poetics Presents

James Burns

James Burns lives in the country between two small East Texas towns. He has a full time job raising three of his grandchildren. He writes whenever he can find a spare moment. He has two poems currently published on the Anthology of Texas Poets website and previously had poems published in various E-Zines.

Lost in Thought

If the images
in my mind
touched my fingers,
a horde of characters
would dance
across the paper
and leap into
the hearts
of those who opened the pages.

But somewhere between
the pallium,
and the digit
which grips their spirits,
a consternate neuron
ushers them along,
deposits their fiber
in a pail
of forgotten narration.

But diligence to the chore
at hand,
arouses the inspiration
of my
creative passion,
until the verse flows
like a bow
across a violin.

Copyright ©2007 by James Burns




T-Zero: The Writer's Ezine
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Copyright 1998 - 2007, Writopia Inc. All Rights Reserved

Submissions Guidelines The Writers' Ezine - T-Zero Xpandizine

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Submissions Guidelines (Updated)

Until further notice, only plain text submissions in the body of the email will be considered.
NO ATTACHMENTS.

What We Pay For

Fiction: Stories should be of interest to writers in general, not just a narrow group.

Fiction should be submitted to fiction@thewritersezine.com. Payment starts at $15.00.

If considered for publication, you will be asked to return an email agreement including your name and address.

Craft Features: Queries about Craft features should be sent to nonfiction@thewritersezine.com.

Payment starts at $15.00, and, if considered, you will be sent an email agreement to fill out and return.

Poetry: Due to the large number of recent poetry submissions, a temporary hold on further poetry submissions is in place until early 2008.

Please do not email us to ask what we pay for in other categories. When we can add to our list, we will include it in these guidelines.

What We Publish

Original short fiction, poetry, and non-fiction, particularly non-fiction related to the craft of writing and interviews.

For fiction we prefer something with a plot and resolution. If we like the main character, we are more likely to accept the story. If the main character has a problem to resolve or has to make a choice, that's conflict, and we love conflict! Too many writers confuse conflict with fight scenes. Don't be one of them. Give us a protagonist who acts, makes choices no matter how hard they are to solve his or her dilemma, not a wimp who drifts along and has to be rescued.

Non-fiction should be related to the craft of writing or be good resource material for writers. Accuracy and originality are vital. No reprints. If it has already been published somewhere else, our readers will spot it and let us know.

What We Won't Publish

Anything that inspires "hate," is defamatory or is pornographic.

Simultaneous submissions.

Material that has appeared elsewhere (reprints).

Seasonal material submitted during the same month (i.e., a Christmas story in December). Our lead time is short compared to print publications, but we do need time to edit, html and proof submission. A good guideline is to submit the manuscript by the first of the preceding month (i.e., submit a Christmas story before November 1st).

Length Recommendations

  • For Fiction, under 1500 words is preferred. We will consider excerpts from longer works.

  • Poetry should fit on one printed page if possible. A maximum of five poems may be submitted at one time (when the hold is lifted).

  • Non-fiction or Craft features have the most leeway in word count. In general these manuscripts should be 750 to 2,000 words. We like to take advantage of the hypertext capabilities we have available and link to charts, graphs, lists and so forth. Thumbnail versions may be included in the body of the article.

Rights

All rights other than first electronic, non-exclusive 'anthology' (for collections of T-Zero: The Writer's Ezine works only), and non-exclusive archival rights (we keep back issues online) are and remain the sole and exclusive property of the author.

Formats We Will Accept

Plain text in the body of an email.

T-Zero: The Writer's Ezine is an HTML publication. This gives us access to a variety of options but it is also a limiting factor.

  • Underlining is used exclusively for links in HTML. Please do not underline in your manuscript. It you are including a link to a webpage for reference, please mark the link the following way: (WEB LINK) http://thewritersezine.com (END WEB LINK).
  • The less than (<) and greater than (>) signs are used to enclose HTML encoding. If you need to use brackets, please use the square [ ] ones instead.
  • Paragraph indentation requires time consuming insertion of multiple HTML symbols. Please separate paragraphs by inserting a hard, blank line between them.
  • Fonts need to be simple. No multiple fonts. We prefer standard fonts such as Times New Roman, Courier or Arial set at 12 point. If your subject matter requires something else, ask us first.
  • The curly (smart) quotes, apostrophes, the em dash (two hyphens together) and ellipsis … (three periods) become strange and exotic characters when copied from your word processor into email. Check your preferences or options to see if you can use straight quotes. 
  • Text formatting such as bold, italic, centering, bullet list, etc., should be noted in the text by using all caps in parentheses. For example, if you wanted to italicize the word submission, you would type: (ITALICS) submission (END ITALICS).

Editing

We expect you to run spell-check and to check your grammar and punctuation before submitting. We will not reject a submission for a few typos or errors, but will if there are an excessive number of errors.

Note: Since our reading audience is international, we do not require a specific version of English. Use the spelling appropriate to your region.

We will automatically correct obvious typos such as “ton” for “not” and may correct simple agreement problems. For anything beyond that, time permitting, we will return the submission to you with a request for corrections.

Getting to Know You

Fiction and Craft features published in T-Zero: The Writer's Ezine include brief third person biographical notes on the writers. For all submissions, please compose your own bio and include it to save our editors and yourself time later if/when your piece is accepted for publication. We suggest sharing a little about your background, occupation, geographical location and what inspired your story.

How and Where to Submit

We do not accept submissions via US mail. Email submissions only, to the appropriate department, in the body of the email. No attachments accepted.

Fiction should be sent to fiction@thewritersezine.com.

Craft Non-fiction should be queried first. Send query to nonfiction@thewritersezine.com.

Poetry: Due to the large number of recent poetry submissions, a temporary hold on further poetry submissions is in place until early 2008.

Include the type of submission (fiction, non-fiction) in the subject line.

Be sure to include your name and email address in the body of the email.

If you do not receive an acknowledgement that your submission or query was received within a week, please send a follow-up query with “Did you Receive?” in the subject line. In the body of the email, please include your name and email address, the title of the work submitted, and if different, the email address sent from. Do not resend the submission unless we request it.

Good luck!


T-Zero: The Writer's Ezine
http://TheWritersEzine.com

Copyright 1998 - 2007, Writopia Inc. All Rights Reserved

 

© Copyright 1998 - 2007, Writopia Inc. All rights reserved